New artist in the indie scene is Red Shakes and he is the embodiment of everything that makes indie music so brilliant. His latest single ‘Sad Teenager Song (Okay)’ has all the features on a great indie track, so make sure you give it a listen.
Being inspired by indie legends such as The Kooks, Vampire Weekend and Razorlight. It’s clear that this artist is well on his way to joining his heroes in being a staple of the indie scene. With lyrics that unashamedly captures the bittersweet melancholy of British youth Red Shakes is definitely a talent to watch.
Red Shakes has already gained quite the reputation as a performer, harnessing that guitar driven alternative sound that carried music in the 00’s.
Be sure to check out ‘Sad Teenager Song (Okay)’ tomorrow!
Tony Goff & The Broken Coloursis a fresh lick of paint to rock and roll as we know it. The band have developed a distinctive charm, which will no doubt play a huge part in this new single ‘Mirrors’. In many ways, this will be a coming of age record – firmly setting the tone of who they are not only through reflection, but pointing towards the future.
Latest single ‘Mirrors’ sees Tony Goff & The Broken Coloursdraw on inspirations from indie legends such as The Kooks, Arctic Monkeys and Sam Fender, exploring difficulties of self identification while serving a straight up indie bop. The band certainly takes that pop rock element in their stride, creating something that is comfortingly familiar, while absolutely their own.
Speaking of this latest release Tony stated: The Current album being written and the singles from it, relate to Tony Goff’s personal struggles and challenges, but written in an uplifting way as almost to remind Tony of what he has to do.
However, Tony Goff & The Broken Colours in this track adds a different dimension. With a sprightly melody, bustling rhythm and vibrant vocals, the tone shifts more to accepting oneself rather than dwelling in discomfort. This results in something that is not only brutally honest, but catchy and fun – a hit that is both validating and full of hope.
Check out some of Tony Goff & The Broken Colours previous bangers here. You can also catch the promising band at the following shows:
2nd April – HMV, instore show High Wycombe 1pm
5th April – Hertfordshire, Biggleswade, The White Swan
17th April – Stanford le Hope – 80 days restaurant
Ok! Fine! I’ll Step into the Light! der Mist have convinced me. As long as the Light has lots of der Mist songs being played on a constant loop, then I’ll step in if I must.
It’s a nice feeling to feel welcome in a song. It isn’t der Mist’s aim to alienate, but rather to welcome you in with a pat on the shoulder and a tin to crack open. The Glaswegians, who remind one of both LCD Soundsystem and Franz Ferdinand, seem keenly attuned to what makes a good tune. I doubt they could write out the exact formula, but you get the sense that they know what they’re doing.
That’s a great thing, by the way. Indeed, it’s a hard balancing act to sound at once in control, yet also nowhere near intimidation. You wouldn’t put on ‘It’s Alright’, a track also from their new ‘Step into the Light’ album, to show off your super in-depth musical knowledge. You’d whack it on at a gathering, where the mood needs to stay friendly and fun. If someone touches to aux when I’m trying to Step into the Light, I’ll scream bloody murder.
You wouldn’t be foolish to think that der Mist have a bright future ahead of them. A pathway lit by catchy melodies, embracing chord progressions and some incredibly mixed drums. Maybe their future is bright due to their own Light? But if it’s the same light I’m stepping in to? I’m not happy about that, I want all The Light to myself. Let me step in!
Non compromising yet immediately accessible; a perfect cross between rage and relatability. Finally, a challenge to the human mind to be able to think for itself.
Meet Helestios. Here to tell you, ”Your Pain Feels Good!”
Henris Leja, Stellas Aggelis, Ian den Boer and Agnis Aldinš – hailing from Latvia, Greece and The Netherlands respectively – combine to bring an elite sound of heavy metal. Now, their passion and drive that encapsulates the Helestios brand is situated in the UK, with the group now making music from Basingstoke, England.
Whilst taking on the traditional tropes and elements that embody the heavy metal genre, it is essential that you do not let the messages in each song go over your head.
This is introduced heavily in the track ‘Return to Baalbek’ in which the phrase ‘‘no more” is constantly repeated. Messages like ‘‘No more destruction and no more exiling humans” force us to start debates and conversations around peace of our people and consider tranquility in the world for all.
It speaks volumes as this was written by Henriis in 2019, whilst mass protests against the Government in the Lebanon raged around him.
‘Black Storm’, is an intense and chaotic combination of heavy drums and guitar riffs, depicting the travesties of war and destruction.
We then meet the cross between rage and reliability in the title-track ‘Your Pain Tastes Good’, which starts off in a calm manner before exploding in immense musicality. This track could be a message touching on the hopelessness some have felt in the recent year, with lyrics like ‘This is all we have left’ feeling particularly relevant.
‘All Attack’ provides an aggressive and fast paced soundtrack. Written in support of the Belorussian people who have spent recent months fighting to overthrow what many see as one of the last tyrannies of Europe, this track is another testament to the metal of humanity in fighting social crises.
Despite the often destructive stereotype and nature of heavy metal, Helestios have given us a new way to look at life and attempt to move us into taking a different approach in the way we do things.
“We want to provoke people to think a bit deeper and realise there’s more than everyday mainstream media has to offer. There’s enough exciting stuff going on right now in various scientific fields from uncovering very unusual facts about ancient history to modern genetics and with our new understanding we should re-apply and re-view many things that we believe are cornerstones.
The full album can be listened to here:
For more things Helestios, be sure to check out their social media below:
87 and the Toys are back with ”Japanesy If You Pleasey”, which combines Japanese and American culture into their current indie pop style, pondering every day issues from goading incumbent Republican Governor of Georgia over his attitude of Covid-19, to the sadness of realising there are no more Bojack Horseman episodes to watch.
87 and the Toys subscribe to the school of absolute musical purity with no filters or overblown production techniques, instead choosing to embody a commitment to authenticity.
With Dave on stand-up bass and Guitar, Hana on min-drum kit, piano and vocals, and Patrick on Rhythm Guitar and Vocals, fans are in for a treat. As Hana hails from Japan, the rich culture infuses the EP thoroughly with Eastern elements. This is found in the tracks ”All you can eat Sushi” – a song initially written as a joke by Patrick to convince Hana to go to a sushi restaurant.
Another Track to set your psyche on a spiral is Bojack, written about the fascination of a new series (in this context ”Bojack Horseman”) after Patrick had binge-watched the show and suddenly realised their are no more episodes to watch.
Filled with different sounds and elements, 87 and the Toys have excelled in representing a multitude of genres with their new EP, and are an impressive showcase of why bands that don’t take themselves too seriously are more than capable of producing great tunes.
For all things 87 and the Toys, be sure to follow their social media:
Taking lockdown as their cue to gather their collective talents, West Midlands-based Four Crooks took to a remote farmhouse to write and record their new EP, and are now unleashing the results to the world.
Four Crooks consist of vocalist and guitarist Dave Morris, Guitarist Eamonn Russell, Bassist Toby Barnet and Drummer Dan Quinton-Jones. Having actually met over a bar altercation, Eamon and Dave shared a common Bond in music and how it should be performed.
They formed a band with Toby and Dan and took advantage of the lockdown to record a new, hard-hitting EP.
Black Magic by Four Crooks is led by the title track, a meditation on the addictive qualities of women and substances of all kinds – both a warning and a celebration of everything that can get you high and take hold of your senses.
The Black Magic EP also features Feel Alright, a song of redemption which sees someone working their way through a difficult relationship and walking out with their head held high.
Paranoia, a thudding, far heavier track looks at how it really feels to be trapped mentally with feelings of anxiety and doubt.
All in all, Black Magic is a trio of tracks that are honest about mental health and relationship battles.
For all things Four Crooks, be sure to follow their social media below:
“In my mind, it’s a basic study of humans on different levels, almost from an Alien National Geographic kind of perspective. Here is Earth, a most beautiful place and here are the alluring creatures who call themselves human beings. Let’s observe them when they are just in their bodies. Now look how they change when they interact with other groups’ – like a typical lab observation, right? Which is interesting in itself; but then of course, we have to look at how amazingly powerful humans can be when they disengage from the drama and plug into something bigger than themselves. I find comfort in all of it, when I can step back and observe us the way a newcomer might.”
Writer, guitarist, bassist and synth player across the new EP, Adrienne Vanderocker collaborates with producer Brandon Eggleston and several noteworthy guest artists such as Federico Pol Jr (Joe Cocker), Peter Holmström (The Dandy Warhols, PIA), and Brendan Bond (Black Pumas) in her new psychedelic EP ”The Good Punk.”
This includes four new tracks (as well as a bonus instrumental) which take the listener on a whole journey of genres from psych to electro pop, touching themes on sex, voyeurism and duality, which solidifies Vanderocker’s role as one of the most exciting recent alternative indie acts.
Among this EP, we are essentially taken on a journey of the human experience and our own battles with desire in our lives. This is highlighted in the track ”Cult for you.” Described as ‘earthly pleasure’ by the artist, the ambience and echos within the song take you on a lesson on the basics of human desire in the most spiritual form possible.
We are then taken into ‘‘Endless City” which brings the human experience out of the singular and into the city at night. It paints a picture of an environment full of the highest highs and the lowest lows, where people become ”lock boxes for sins, secrets, or resilience, or heroism, and they also become the most open, revealing, expressions of themselves on the flip of a dime.” This Endless City is also the place to get mind altering substances which keep us in a state of euphoria. It is emphasised that people on the outside wouldn’t get it, but those experiencing it would get it the most.
“Taking Notes” almost makes you feel like you are at school again. Here, Vanderocker takes a different route with a ”deep funky groove” explaining how as humans we have to push ourselves to almost reach our potential.
I was setting up a kind of 70’s vibe as the foundation and Pete ended up putting some really cool guitar work, creating this brilliant soundscape over the piece. In case anyone wanted to enjoy this piece without the narrative, we included a bonus instrumental on the EP”
Finally, the psychedelic journey ends with the track ”Supercell.” Vanderocker describes the tune as something which ”takes a look at how powerful humans are when they come together for a cause. Of course, it particularly speaks to all the unrest and upset around the massive corruption and ongoing systemic racism.”
Vanderocker explains that when writing she ”was just thinking about that superpower gene that kicks in when change happens.” When she found out what a supercell was, she says the track ”couldn’t have been more perfect.”
The EP can be streamed here:
This Ep further shows us the wild artist that Vanderocker is and will continue to be, for all things Vanderocker be sure to check out their social media below:
From playing in small clubs in their little city on Lake Maggiore, to legendary venues and festivals of big city centres like New York, Milan and London, modern pop/rock band Keemosabe present a sound that is accessible to lovers of energetic grooves, powerful riffs and pop melodies.
Set to release their self-titled forthcoming EP, the Italian band fuse elements of 90’s rock and psychedelic break-downs to create an all-round euphoric, genre-spanning sound that caters for fans of the likes of Kings of Leon and Foals.
Having previously released ‘Stay Awake’ and ‘All is One’ the band are set to release their single ‘Out of the City’ next week on 7th March – a track that reflects the fury and drama of the world’s busiest cities.
Their London dates proved a huge success, selling out both The Islington and Servant’s Jazz Quarters, whilst their popularity in Milan saw them playing the city’s largest venues, including the 3,000-capacity Alcatraz. After recording and mastering their EP at Abbey Road Studios, they were subsequently invited to perform a live show at the fabled Studio One.
With live dates set for both Italy and the UK and their debut album nearing completion, Keemosabe are a name to get to know this year.
Being able to switch music genres, midway through your career is something that some musicians crave, to have satisfaction in your work in one field, to them do a full U-turn and create something complete new is one hell of a life goal, and Ben Ridley has made it clear that his new found pop career is here to stay!
Ben Ridley’s previous music path was quite different, consisting a classical piano compositions, however, with the recent release of tracks such as ‘Sing’ and ‘Dancing Mood’. These tracks take the traditional elements of a classic pop song, but with added flare that only Ben could bring to the table.
With the added addition of more pop treats guaranteed further down the line, Ben Ridley is definitely one to keep your eye on.